Dream city

The city I visit in my dreams has a car-free center with many narrow, winding alleys that morph into covered passageways. It combines features from every city or large town I’ve ever spent more than a week in, so picture a combination of Osaka; Kyoto; Taipei; Tegucigalpa; Ithaca, New York; Austin, Texas; and State College, Pennsylvania. In many dreams, it’s just a set for the usual play of mundane anxieties: losing my backpack, for example, or suddenly discovering I don’t have enough money to pay for a meal I’ve just eaten. But in some dreams it’s also a landscape of longing, and not in the sense that I wake up and wish I were still dreaming. Rather, within the dream itself, I am often searching for a place I found once, a long time ago, and have never been able to find again. I suppose that’s a kind of anxiety, too, isn’t it?

Don’t get the wrong idea when I tell you that the place in question is a bar. I’ve seldom enjoyed hanging out in bars: they’re almost always too noisy, too crowded, and too expensive for my paltry income compared with just buying a case of beer and drinking it at home, and they tend to be filled with loud music I don’t like (I don’t care for most classic rock). I much prefer coffee shops and diners where one can sit at the counter and have normal, non-pick-up-oriented conversations with the waitresses and the other patrons. I can’t tell you why I feel such longing for this bar in my dreams. It almost seems as if that’s part of what I’m searching for: some explanation for my attraction, or the memory of attraction.

All I can really tell you about the place is that it was very small, moderately well-lit, and decorated in orange and red, with maybe some green thrown in. There were no tables, just a bar on three sides of the room. The bar was made out of metal, I think, and the stools were free-standing draftsmen’s stools. It was basically a place where one ducked in for a quick drink on a cold evening, I guess. What made it seem so convivial? I remember it as virtually deserted, with just one bartender present, and no other customers. (Perhaps it closed subsequently for lack of business?) I believe I found it by accident while looking for another place where I was supposed to meet some friends. I don’t remember how long I stayed: maybe a few moments, maybe the entire evening. What’s time in a dream, anyhow?

Unless it wasn’t a dream. I visited a lot of strange little places in Japan and Taiwan twenty years ago, so I’m not absolutely sure it’s a figment of my imagination. The inexplicable longing I feel to visit it again, even now that I’m awake, is every bit as strong as the nostalgia I feel for things that I know were real. But the bar’s reality or lack thereof is almost beside the point, because I suspect that I was barely awake for most of the things that provoke nostalgia in me now. What is nostalgia, after all, but a manifestation of the desire to be fully present without the discipline to achieve it in the here-and-now?

*

Members Only, said the sign on the door. The room was filled with severed penises.

Some of my anxiety dreams are so ridiculous, I wake up laughing.

Old Joe Clark

It ain’t true, none of it. The yellow cat, the buck-toothed mule, the sixteen stories — all whoppers. When a man gets too big in the world, everybody tries to bring him down, that’s all. Success ain’t a crime.

Sure, I like a card game, and women, and no shame in that, unless you listen to my pa. Bastard son of a circuit preacher, that’s me. And I got the law on my side, too, because I went and bought a license for my distillery, and I sell corn cheap and in broad daylight. A lot of them moonshine boys don’t like that. My next-door neighbor’s missing an arm, and you can ask him why if you want to sing about something that’s true and packs a lesson. But if you sing about the ladies you’d best be careful, or I’ll shoot off something you’ll miss more’n an arm.

I ain’t no different than anybody else, except when I go for something, I aim to get it. Every man has a shadow as long as the sun shines. And 46 ain’t old.

[audio:http://www.fileden.com/files/2007/1/5/600283/Old_Joe_Clark.MP3]

There are several stories surrounding his death. J.B. Weaver gave this account, as told to him by Joe’s son. Clark was living with a woman named Chris Leger and they split up. He then began living with a McKenney woman in his store, renting his house to Chris and her new friend, the brother of Old Jim Howard. Leger and Howard then devised a plan whereby they would kill Joe and she would claim he had left the farm to her. Howard shot and killed Clark on April 22, 1886, near the back porch of the store. Howard then fled to Beattyville, where a few days later while crossing a bridge, he was stabbed to death by two men from Clay County.

Clark is buried in the family cemetery on a hill overlooking the farm at Sextons Creek.
–Kentucky Department for Libraries and Archives

Old Joe Clark Ballad
Mountain ballad, about 90 stanzas, sung during World War I, and later wars by soldiers from eastern Kentucky. Early version, as sung in Virginia, printed in 1918. Joe Clark, born 1839, lived here; shiftless and rough mountaineer of that day. His enemies were legion; he was murdered in 1885. In the moonshining days of 1870s, he ran government-supervised still.
roadside historical marker, Jct. KY 577 & 1350

The Pleasures of a Book: Francis Ponge

Francis Ponge bookThe Nature of Things, by Francis Ponge

Translated and with an Introduction by Lee Fahnstock

New York: Red Dust, 2000 (2nd printing)

Originally published as Le parti pris des choses
by Editions Gallimard Paris, 1942

Poems crowd into the meager paperback like moss on a stone: the book teems. Its ink and glued binding give off a faint odor of fermentation. The margins are scandalously narrow, and the shorter poems don’t even get a page to themselves. Often they lack the most rudimentary spaces between their stanzas, and poorly reproduced engravings are the only illustrations.

But what fecundity! The French originals linger somewhere close by, like shed undergarments littering the floor around a marriage bed. And between these thin covers, everything is in flux, surrendering to multiple readings — at first slow and tentative, then gradually more assured. The off-white paper takes on a greenish cast, like the base of a flame. Fire or ferment, some kind of oxidation is clearly taking place, beyond the normal decomposition that disorders the senses after a good, long read.

Entering a poem by Francis Ponge, we become conscious of the way our thoughts take on the shape of whatever they encounter, though never as a mere vegetal clone. Eyes and lips no less than tongues serve as reproductive organs for the mind. To a poet like Ponge, there could never have been more than one poem in existence at a time. It’s we readers who are to blame for this profligacy: it’s our throats that burn, it’s our paper bodies that are spent.

As for the book, it will not lie flat. The moment I remove my fingers, it springs back to its original position: shut tight, but for the slight gap of the top cover.

Trembling to be trees

Standing in our numbered rows
we stretched and stretched, embracing

the enormous air, our fingers
splayed, heels rising up

off the floor, bodies grunting, sweating,
trembling to be trees.

That’s from “Forest,” by Mike White: the poem featured today in Poetry Daily. It seemed like a timely reminder to check out the brand new edition (#9) of the Festival of the Trees. Among the many and varied topics covered in this edition, I was especially struck by the beeched wail; Napier’s Bones; l’emondage; and the rather startling news that E‘s 7th sexiest celebrity in the world has married a tree — actually, two trees. Whether she herself is “trembling to be [a] tree,” the blogs don’t speculate.

Questions

ruffed grouse tracks

Who does the grouse think she’s fooling, leaving a line of arrows in the snow that all point back in the wrong direction?

maple bark

What makes the bark of a growing maple lose its smoothness in concentric rings?

Top of First Field

What do porcupines think about when they see the sun scale the sky?

porcupine spruce

Is that why they’re mostly nocturnal — they don’t like the competition?

sapling

Will the trees have any memory of winter, or is it just a big blank?

__________

In case you haven’t noticed the link in my sidebar, I have a new photo gallery. (Thanks to H. Rutherford for the idea.)

Minor incident in the history of intercultural exchange

I slept fitfully as the vacuum cleaner went back and forth above my head. Doors slammed, feet pounded down the stairs, furniture slid and rumbled on the hardwood floor. The same dream over and over like a skip in a record: me alone on the line for a four-in-the-morning rush, a blizzard of slips, drunks hollering for their omelettes. And then more shoes overhead, a boombox switched on — Kenyan dance music, loud — and the tromping becoming rhythmic, coordinated. The doorbell buzzing and buzzing. Damn, must be a party! Each of my housemates probably thought the other had told me.

Our paths did cross: in front of the T.V. in the living room, usually, where the more religious of the two would sit every morning in his robes, fresh from praying toward Mecca, to watch a chirpy female aerobics instructor while he sipped black tea. It’s good exercise, Dave! he’d insist, quite seriously, when I tried to tease him. The other, also named Salif, rarely hung out at home, except sometimes to make couscous stew in the kitchen and pound on my door whenever I played music he didn’t like, which was often.

I dragged out at ten, showered, and pulled on a ratty Metallica t-shirt and checkered, gray-and-white chef’s pants wide enough for a clown. I moved slowly, dreading what I knew I’d face upstairs: the entire African Students Association packed into our living room, dancing, glamorous, laughter in a dozen different languages suddenly falling silent as the hairy white guy emerged from the cellar, dressed for the graveyard shift.

Unbalanced

I’m fascinated by people with slightly asymmetrical faces. When I say slightly, I mean, only really noticeable by looking at a photo, where it’s easy to verify your hunch by covering first one side and then the other with a piece of paper. The results of the comparison can be quite startling: we forget how often apparently harmonious and self-consistent images and narratives result from an unconscious blending of disparate parts. Just as it’s possible to become familiar with the Bible and never notice all the disparities between the first and second chapters of Genesis, so is it often the case that you can know somebody for years without noticing that one side of his or her face is significantly sadder-looking than the other. Or more troubled, or more thoughtful. Because that’s what I’m talking about here: faces in which the persistent, infantile positivism of our culture has been stalemated by a gloomier or more realistic cast of mind. At least, I think that’s what’s going on, but perhaps I’m reading too much into it. It may in fact be the case that all faces are at least slightly asymmetrical, in the same manner and to the same degree that their owners are right- or left-handed: one side is simply stronger than the other. The weaker side will tend to wear a more relaxed or cheerful expression, since — as motivational speakers are wont to remind us — it takes more effort (if not necessarily more muscles) to frown than it does to smile. But if that be the case, why would the asymmetry only be detectable for a certain, small percentage of the population? Do the rest of us somehow unconsciously correct for a default tendency toward asymmetry through complex feedback loops between our own facial expressions and those we see on others? If so, then the question becomes: why and how do certain people manage to escape the influence of such pervasive, unconscious social pressures? And why would the results of such nonconformity so often strike us as beautiful?

Don’t Let That Deal Go Down

Meanwhile, in a parallel universe, a district attorney blogs his cases, a schlocky Christian painter marks his territory like a wolf in sheep’s clothing, and the overheard cellphone conversation of an animated mannequin makes the news.

Helena Christensen was in a state at the Chateau Marmont party. “I’m sitting here by my [bleeping] self in the lobby,” blared the tired and emotional supermodel into her cellphone. “Where are you? I had a bag with $500,000 worth of jewelry and someone took it!” Christensen’s rep says she later discovered that the bag — which actually contained a computer but no jewels — was in her car.

She must’ve been tired if she could confuse a computer with $500,000 worth of jewelry. Gosh!

[audio:http://www.fileden.com/files/2007/1/5/600283/Dont_Let_That_Deal_Go_Down.MP3]

Visions

One morning in late July, I had a vision of things from the inside-out: in lieu of a leaf, for example, I saw a two-walled room devoid of green. Bark no longer belonged to the tree, but to the air around it. All flesh was glass.

The elephant-sized boulders scattered through the woods no longer reminded me of anything final. I saw instead that they were tongues of pure thirst, slowly dissolving, giving rise to gray clouds. I sat in a space between three boulders and listened to a hermit thrush. It began to rain.

*

Imagine if, instead, I had caught a sudden glimpse of what that woods would look like just six months later. No vision can measure up to the reality of a northern winter: the ground’s smooth pelt, the deep blue sky, the appalling distances that can open between two trees.

*

You don’t need a grand vision to feel connected to the universe; you simply need to to be mindful of basic ecological principles. However much we may try to pretend otherwise, we are each a part of the food chain, temporarily undissolved pieces of meat in a cosmic digestive sytem. Therefore, in a very real sense, every state is an altered state. And even in the more figurative sense with which mystics or drug-takers talk about altered states of consciousness, the pleasure is in the transition, which can be prolonged and intensified by artifical means, but is still relatively fleeting.

What you get out of those transition states probably depends very much on what you bring to them. Don’t believe the wilder claims of the cannabis-boosters: smoking pot will not magically turn violent assholes into peaceniks; it will only make them temporarily a little less dangerous. Likewise, a simultaneous global orgasm might be amusing, in a guerilla theater kind of way, but it would not bring about world peace, any more than making everyone profess the same faith would. Building peace is hard work. Hell, just remembering to be kind to those you love is hard work. Good visions and good vibes probably help, but only a little.

*

Speaking of visions, be sure to catch Nathan’s story about his adventures as a vision-questing gringo in Mexico in the comment thread to the “cathedral” post. Start here.

Another shell

This is a test of the Audio Player plugin for WordPress. (Feed and email subscribers will need to click through to the site to see the player, I think.) I’m reading a simple little poem I wrote last April, In a Nutshell.

[audio:http://www.fileden.com/files/2007/1/5/600283/In_a_Nutshell.MP3]

I don’t necessarily plan to abandon Odeo just yet, but it’s been a little buggy lately and I wanted another option in case it deteriorates further. Like the wren in the poem, I don’t want to leave anything to chance.