Diogenes’ Tub (10)

“I like the idea of making films about ostensibly nothing,” [Errol] Morris told The New Yorker’s Mark Singer. “That’s what all my movies are about. That and the idea that we’re in a position of certainty, truth, infallible knowledge, when actually we’re just a bunch of apes running around.”

He may say he’s a filmmaker, but he smells like a lawyer to me. Check out his rationalizations for Why It Makes Sense to Beat a Dead Horse.
(Via Brokentype.)

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