I hope your mother’s heart has settled
& ceased its flutter. I’d like to add
some wish about hearts in general
in this time of rage & sadness,
but I’m not sure poets should perpetuate
such outdated metaphysics about
a thing that turns out to be little more
than an organ, a nest of fat roots
that can be transplanted like a tree
from one body to another, even
across species lines.
I am still agog at this, recalling
my Great Aunt Thera’s pride & wonder
as a former farm girl that she owed
her last years of life to a sacrificial pig.
If there’s a soul, then, I wonder
where it might sit?
I picture a yellow canary flitting
anxiously from perch to perch as
its cage travels deeper into the mine.
I picture the trees our primate bodies
evolved to navigate, their ladders,
their heartwood neither alive
nor clearly dead. I remember
the blossoming branches of a wild
sweet cherry tree one spring,
after an ice storm had toppled it
& a chainsaw had severed the trunk
from the tangle of roots and soil.
Even decapitated, it bloomed with abandon,
it bloomed as if there were no tomorrow:
clouds of white against the brown woods.
The wasps & bees didn’t seem
to know the difference, & surely
their grubs grew just as fat
on that deathless honey.
I have no answers, & am afraid
for those who do. The Aztecs
suffered no shortage of poets, all
wringing their hands at the sweet
ephemerality of life. Their stock
metaphor for a heart was a blossom,
& the chest cavity of a human being
was the sacred ground over which
they fought their wars.
What have we learned?
The Holy Land itself has been vivisected
into slivers that can’t survive in isolation.
Broken sewers on one side of the wall
mean poisoned wells on the other,
& blood spilled in one place
travels who knows how far
through the imperilled veins
of a single subterranean heart.
Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).