I’m very pleased to announce that my “Temptations of Solitude” poems now appear side-by-side with the paintings that inspired them on the artist’s own website. Though we’ve become regular email corespondents, I barely knew Clive Hicks-Jenkins when I started writing this series last spring, and was blown away by his enthusiasm for the poems. After all, he’s a fairly major figure in British painting, and it’s not as if I was the first to write poems in response to his works. In fact, I’ve joined a small online exhibit which includes five other poets (click on their names to view their pages on the site). I am particularly pleased to be published alongside my friend Marly Youmans and the wonderful Callum James.
I put these poems into the proverbial (and wholly suppositional) bottom drawer for many months, but didn’t end up making more than a few, minor changes when I finally took another look at them. This should probably worry me more than it does. I used to be such a perfectionist! Then I discovered blogging, and realized I was only as good a writer as my next post. Some of the poems in the Temptations series are stronger than others, and I’m O.K. with that. You can’t hit a home run every time, you know? I’ve decided there’s value in unevenness, and that if you attempt to reach the same peak each time, you end up with a featureless plateau.
At any rate, thanks to Clive for the inclusion — and for creating such damn fine paintings in the first place.
Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).