Bathala, now we must see how to wind our griefs
into a pullover whose sheen reminds us of days
and nights of rain: long months when we huddled
in one room, tending each other in the remoteness
of your silence. Now we must remember where to find
clumps of fiddlehead fern and collect
unbroken soda bottles that aren't stuffed
with gunpowder and twists of rope. In the street,
there might be stray grains that couldn't be swept up
after the farmers' wives stormed the warehouse,
asking for their due. There might be feathers
fallen from the bodies of birds after the blast.
Bathala, the children and mothers gather them up
in their skirts and pockets and add them
to their archives: all must be accounted for.
We would expect no less, ourselves.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.