Everyone has such a photograph
of their fathers in their youth—
even the ones who didn't think they
could be smooth with the ladies;
not the college jock, nor the ones
in the school yearbook described
as Most Likely to Succeed. But here
they are too, the boy from the other
side of town (like the farm in Fairmount,
just off highway 150), & the boy
people remember most for mumbling all
his words; the boy who clutched a nervous
nail file in his pocket hoping no
bully ever took a shine to him, &
the awkward one who thought he was fat.
Here's the boy who shyly gave the girl
he liked the most unlikely gift of
a ripe pineapple; & the one who drank
too much so he could work up nerve
to speak to the girl at the cash
register. Here they are, posing
for pictures too: encouraged by
the studio photographer to choose
a painted backdrop, borrow a leather
jacket to throw over one shoulder or wear
unzipped over a white crewneck T-shirt &
a pair of dirty jeans. Here they are
with their hair darkly sleek, pomped
with Three Flowers, Brylcreem, or Tancho
Tique. A cigarette dangles at the edge of
their lips or at the ends of their fingers,
while the other hand rests nonchalantly
on one hip. But no one had to coach them
for that look: broody, full of aloof &
existential longing. The kind that says
you know, I coulda been a contender.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for her manuscript Maps for Migrants and Ghosts, forthcoming from Southern Illinois University Press in fall 2020. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.