The dark, seasonal pool at the top of the watershed has dried up, so where do I go now to let my eyes relax and envision possibilities apart from the doom-scroll on my phone or laptop?
cracks in the mud
In the garden, Oswego tea leaves tremble with the buzz of pollinators, but soon I am mourning the scarcity of butterflies — a region-wide phenomenon. Up on the ridgetop after dark I watch a distant thunderstorm off to the southeast: sudden fissures of light opening and closing without a sound, while the first katydids test out their rattles. But soon I am remembering an article about a terrifying new category of monster storm. I turn and look for Comet Neowise below Ursa Major. It’s the barest of smudges now, like the death-smear of a midge at the bottom of a monitor.
trying to recall
my touch-typing skills
the sound of rain
The continued drought, combined with worsening news on the political, pandemic, and environmental fronts, makes me want to simultaneously escape from and delve deeper into the present moment. I do love the expression “doom-scrolling,” though.
A mixture of old and new footage. With the haibun text, I’m trying to stay mindful of how it fits with its predecessors, picking up old themes and references to make the series feel more like a sequence. (I’m posting the texts into a manuscript as I go along, to help out with this.)
It’s possible these haiku are a bit too clever. Call them senryu, then. I don’t mind.