So I’m standing here watering my garden, and a female hummingbird flies in and takes a shower in the spray, three feet away from my hand.
Many hours later, I flush two ruffed grouse. Together. For the first time in years—since West Nile Virus began decimating them about 15 years ago. Last winter I thought it likely that there were only two grouse on our entire, two-and-a-half mile long end of the mountain. Now there seem to be at least five. Perhaps they’re staging a comeback.
Two unusual wildlife sightings in one day! I’m a lucky man.
As long as I live, I’ll never forget the sight of hundreds of university students walking past a low-hanging oak limb on which an adult male red-tailed hawk was ripping apart a gray squirrel, and not one of them so much as slowing down to watch. And that was at least ten years before the rise of smart phones. It was around that time I realized that nothing I would recognise as poetry will ever reach a mass audience in this distracted age.
What if my next poetry collection included all my voices, not just a few of them? Perhaps it would be an unreadable mishmash. But if there’s a uniform focus or addressee, it might work. Hmm.
Maybe I should also be a little less concerned about what an audience might prefer until closer to the end of the project? Behave less like a craftsman or entertainer and more like an artist? I don’t know about that. It challenges my populist instincts.
But you’re talking about wild words. The wild is not and will never be popular. See above.
You are waiting for the next thing to be popular so you can admit how much you’ve come to loathe the last thing. But with this economy, who knows whether there will even be a next thing? That last thing might be the last thing ever, in which case you will someday come to miss it with all the fervent conviction of nostalgia.
tea for two
the ant holding a crumb
above her head