American conquistadors

Don’t miss “Men Without Weakness.” Dale’s take on imperialism is very much like my own, and I link it here to provide perspective on my ongoing series, Postcards from a Conquistador. Stonewall Jackson and William Tecumseh Sherman were cut from the same cloth as Hernán Cortés, I think.

The cold blue eyes look down history, finding us with contempt. He gave up drinking whiskey when he found that he liked the taste of it; he gave up reading the newspapers when they started to praise him. He did take pride in winning battles, but he knew it was a sin: the victories belonged to God, not to him. In winning a battle he found spiritual ecstasy: it was, maybe, the only token of God’s love he would ever believe.

Though I suppose Dale’s perspective, like my own, must’ve been shaped by leftist critiques of imperialism, this post could just as easily have been penned by a disciple of Ron Paul, and I like the fact that he tries to get inside the heads and hearts of men who are all too easily dismissed as monsters, or adulated by latter-day partisans. By the end of it — it’s not long — you’ll also understand why Dale named his blog mole, after the homebody protagonist of The Wind in the Willows. Go read.

Old trees, new ornaments

discarded Christmas treesFestival of the Trees #31, the New Year’s 2009 edition, is worth an extended visit at Rock Paper Lizard. As Hugh says, ’tis the season to take down the Christmas tree — something we just got around to doing this morning up at my parents’ house. Dad kindly undecorated the tree, leaving me with the simpler task of carrying it outside.

If you feed wild birds, discarded Christmas trees make very useful shelters from hawks and inclement weather. I nestled this year’s tree among the skeletons of previous Christmases, four of them, in varying stages of decomposition. Even without the needles, thin, tangled coats of weeds and grasses still offer some protection. The Christmas tree is truly a gift that goes on giving. When I came back with my camera to snap the above picture less than five minutes later, a half-dozen white-throated sparrows flew out. No sooner had it been stripped of the usual myriad of fake bird ornaments than the real thing moved in.

*

I’ve just been reading about TreeYoga. I got all excited at first, but it turned out that this was really boring old PeopleYoga — the trees are merely used for a form of non-lethal hanging.

As in the yoga posture (asana) of the Tree Pose (Vrksasana), TreeYoga beckons us to reflect upon a core principle of yoga — balance. Like trees, yogis can now root themselves into the earth and extend gloriously up to the sky. There is great beauty and playfulness in the flowering shapes of yogis sprouting from trees.

If the accompanying photos are any indication, the dangling yogis do indeed resemble some kind of strange fruit. The official TreeYoga website refers to trees as “yoga partners,” which strikes me as presumptuous in the same way I find tree-hugging presumptuous: how do we know the trees really want to be hugged or enlisted as partners?

Still, people have been meditating in or under trees for a very long time, and as I’ve written here in the past, many Central Pennsylvanians practice an annual tree-based meditative activity that probably resembles quite closely the paleolithic, ancestral form of meditation. And because they spend such long hours up there, staying as still as they can, they’re rewarded with all sorts of great wildlife sightings. One of the hunters on our property saw a bobcat from her tree stand this year; another saw a fisher. There were several red fox sightings, which surprised us a little because we haven’t seen any in two or three years, and had assumed they’d all been killed or driven off by the coyotes. And quite regularly of course the hunters draw the attention of small flocks of winter birds. I can only imagine a chickadee’s reaction if it saw a human hanging upside-down, chickadee-fashion, with the help of a TreeYoga swing.

25 things about Via Negativa

Bum with sign: 'Blog Ate My Homework'

  1. Almost every year, I think Via Negativa’s birthday is coming up on the 20th. Every year, it turns out to have been the 17th. The problem I guess is that I think of the first post as having been in late December, although it was really the middle of the month. So given that I can’t even remember that much, I can’t vouch for the complete accuracy of everything that follows.
  2. My gateway drug to blogging was Yahoo Geocities. I still have a webpage there, which is usually the second result for a Google search of my name. And I haven’t touched my proto-blog there, the page of essays I wrote in 2003, originally sparked by the invasion of Iraq. Note that the brief apologia at the bottom of that page already contains the germ of my blogging ethos:

    [M]y most memorable prose, I think, has been written on the run, or off the cuff. It’s fairly disposable–but maybe that’s the point. As long as it biodegrades in a timely manner. And gives off a pleasant fragrance, thanks to all the spirits of the invisible wild: yeasts, molds, fungi, bacteria. Whatever works.

  3. When I started blogging, I didn’t anticipate any need for comments. (And the original Blogger/Blogspot didn’t have any; you had to hack in a Haloscan commenting system. Which, in early January 2004, marked my second CSS/HTML hack, after learning how to code links for the sidebar.)
  4. When I started blogging, I didn’t think there were any other bloggers covering religion, philosophy, or poetry. The first such blog I found — by using a blog directory (Blogarama, I think) and looking under “philosophy” — was the cassandra pages. Five years later, I remain close friends with its author, Beth Adams, and co-edit qarrtsiluni with her.
  5. “Via Negativa” is probably not the best name for a blog. Not for this blog, at any rate. I quickly dropped what I had thought would be my primary focus — religious agnosticism, broadly defined — but kept the name because regular readers had already gotten used to it. I decided that if the name tended to weed out people who avoid any hint of negativity, that wasn’t necessarily a bad thing. Being near the bottom of most alphabetized blogrolls was a bit more of a problem.
  6. I started my very first side-blog in 2004 — Dead Raccoon. It was also my first microblog, though I’m not sure the term had been invented yet. It consisted of almost daily absurdist political bon mots, filled with cynicism and black humor. I killed it after a few months, because I realized I didn’t have very many original political insights, and most of the time I really don’t know what I’m talking about.
  7. The indirect successor to Dead Raccoon was a cartoon called Words on the Street, which began as a text-only feature called Diogenes’ Tub. The idea to make it into a cartoon came from a reader who at the time used the pseudonym the Sylph (and who was also, I believe, Via Negativa’s very first commenter, though all those Haloscan comments are gone now). A big part of the reason for doing it originally was to break up the text — Via Negativa had virtually no other illustrations until I started taking and posting photos in 2005. Diogenes the bum still puts in an appearance from time to time (as at the top of this post).
  8. My first two years as a blogger were my most ambitious in terms of average post length and number of series. (I’ve subsequently been able to put most of the latter into fully functioning series, with archives in chronological order, thanks to the fantastic Organize Series plugin for WordPress.) What happened I think was that I had a certain number of ideas I had to get out of my system. Once I did so, I noticed an unexpected real-life side-effect: I began to feel much less of a compulsion to turn every conversation into a lecture or a harangue. I’m not trying to claim that that impulse has completely gone away, but I believe I’ve mostly broken the habit.
  9. I began blogging an epic poem, Cibola, on January 3rd 2005 and finished it up six months later. Those posts were interspersed with almost-daily Words on the Street cartoons as well as my regular blog posts. I think I scared off a lot of readers that year. Nowadays, I do just as much stuff online, but it’s spread over several different sites.
  10. Via Negativa is part of an informal “class of 2003,” which includes a number of blogs still in my blogroll. Blogging first hit the internet-using mainstream that year, I guess, and the war made a lot of us look for a bigger soapbox. My first meet-up with other bloggers was in New York City in February 2005, where we convened to see Christo’s Gates installation in Central Park. I blogged it, of course. So did Lorianne and Leslee, not to mention Diogenes.
  11. I moved off Blogspot on April Fools Day, 2006. My main reason was the lack of categories, which I dearly wanted in order to make my burgeoning archives slightly more accessible. I think it was at least a year and a half later before Blogger finally introduced categories (“lables”). It was hard to leave more than two years’ worth of comments behind when I moved. I really felt bad about that.
  12. One of the irritating things about Blogspot is that it doesn’t retire domains when someone deletes a blog. So cyber-squatters snatch up newly cleared domains like mine in order to take advantage of the incoming links, even if they never put up more than a single post. And if they then encode instructions to search-engine bots not to spider their site, the Internet Archive Wayback Machine will restrict access to all its archives of one’s own site. Moral: Never delete a Blogspot blog. Clear the archives if you need to, but keep at least one post there redirecting visitors to your new site.
  13. Since April 1, 2006, Via Negativa has been hosted free of charge by my cousin Matt Albright, who grew up nearby but currently lives in Silicon Valley with his wife and three daughters. Matt bought lifetime server space for a website some years ago, but has never had time to put up more than a CV for himself. My dad’s site, Peaceful Societies, piggybacks on Matt’s website as well.
  14. Matt’s also the guy who got me into digital photography when he sent me his old camera in late February 2005. I had blogged about an icestorm, and he wanted to know what it looked like. The Via Negativa readership at the time was divided about whether the addition of photography would be a good thing, but eventually I think they all came around.
  15. My first Blogger blog used a template with the sidebar on the left, but within six months I switched to a right-hand sidebar and it’s been that way ever since.
  16. I’ve been on-again, off-again with stats counters, which means I really have no idea how many people have visted Via Negativa over the years. I seem to average about 10,000 page views a month. The best month for which I kept records clocked in at just shy of 30,000.
  17. I am still routinely surprised that anyone stops by here at all, though. Sometimes Via Negativa readers even make me things and send them through the mail, which astounds me. At times, I like to tell myself that blogging makes me a useful and productive member of society. But probably the reality is that Via Negativa and my other online projects are a drag on the economy, by helping diminish the productivity of office workers.
  18. I passed my one millionth spam comment at the beginning of this month (see the counter at the bottom of the page). That’s since August, 2006 when I installed the Akismet anti-spam plugin. I’m told that’s a pretty meaningless figure, but so too are a lot of the other metrics that bloggers use to try and assess their blog’s value or importance. Via Negativa has gotten 9,392 legitimate comments since moving to WordPress. (That figure includes my own responses, though.)
  19. I’ve written some 1,138,000 words in 2,270 posts (not counting the 218 Smorgasblog posts, since they’re just quotes). That’s the equivalent of ten or eleven novels, I guess.
  20. Aside from Cibola, I’ve made two e-books of poems that originally appeared in Via Negativa, Shadow Cabinet and Spoil. I’m not real crazy about either one of them; I just enjoy creating websites.
  21. Via Negativa posts have been translated into foreign languages twice that I know of. Blogger Agustin Fest translated Should poetry be open source? into Spanish, and Poetikon translated the first half of Poem for Display at a City Reservoir into Norwegian. Very very flattering.
  22. All my work here is licensed under a copyleft statement designed to permit everything except taking my work and claiming it as your own, or preventing other people from modifying something that you have made from something here. Creative remixing is just another form of translation, as far as I’m concerned — something to be welcomed. I also decided a while back not to care about the scrapers who take fragments of text from Via Negativa (along with tens of thousands of other sites). I don’t understand why some bloggers get so worked up about that.
  23. The relative lack of focus on personal stuff here has less to do with any desire for privacy than the plain fact that I bore myself. And as a poet, first and foremost, I am more interested in self-mythologizing anyway.
  24. Blogging has had a really positive effect on my writing. Even though I’ve been writing and publishing poetry since I was seven, my poetry writing has become much more fluid and sure-footed over the last five years, I think. I’ve written more than 540 poems and translations for Via Negativa, and in the process have grown much more comfortable with sharing relatively unpolished work. And I’m fond of telling people who wonder why I blog that as a poet, I have found a much larger and more varied audience online, through blogging, than I would get in most print journals — to say nothing of the ability to interact with readers. I’m also pleased with some of the prose I’ve churned out, as well as the posts combining photos and text which are perhaps most typical of the non-political blogging medium.
  25. Fewer than half a dozen Via Negativa posts have ever included numbered lists.

Mutating the Signature

Submissions are open for a new qarrtsiluni theme, Mutating the Signature. This is a process- rather than a subject-oriented theme, requiring all submissions to spring from a creative collaboration between two or more people. Be sure to study the theme description carefully before submitting. The deadline is January 15, and we expect to start publishing the first pieces for the new issue shortly after January 1. It seemed like a good way to kick off the new year. The guest editors, Dana Guthrie Martin and Nathan Moore, have been going great guns at their own collaborative poetry experiments, as readers of their blogs will know, so they seemed as qualified as anyone to edit such an issue.

The current issue, Journaling the Apocalypse, will continue through December. In fact, we’ll have to pick up the pace of posting if we’re going to fit everything in. Suffice it to say that we have many more good things in store — and if the holiday season doesn’t seem like the best time to contemplate the apocalypse, all I can say is you haven’t gone shopping lately.

***

Shortly before Halloween, I tried my hand at collaborative poeming with Dana. We used Skype IM, and followed a procedure based on the surrealist game called exquisite corpse, which seemed appropriate to our subject: vampirism. Or, as Dana would have it, hemotophagy. We wrote alternate lines, and each of us saw only the second half of the preceding line. Here’s what I saw:

Hemotaphagy

We walked arm in arm on the sunset strip, red at night
___________________ inside me, my mouth parts
like a coffin lid lined with velvet & redolent of formaldehyde
___________________ carotid, its point of bifurcation
the wye-shaped crossroads of all my midnight appointments,
___________________ my hands, how I lap up
everything your heart has to say in its simple syntax.
__________________________without enormous effort,
like typing a heart smiley in lieu of using that dread word
____________________ attack, my bending over you,
mother of my suffocation nightmares, homeothermic swamp.
________________________ handkerchief, stuff it in my blazer.
It’s a gloomy affair, this filling of my coffin-sized hole
__________________________ My desires coagulate near your wounds,
plaster for that red fresco where my shadow lost its way.

Then came the reveal, as they say in TV land.

Hemotaphagy

We walked arm in arm on the sunset strip, red at night
blood the only hunger inside me, my mouth parts
like a coffin lid lined with velvet & redolent of formaldehyde
I feel for your common carotid, its point of bifurcation
the wye-shaped crossroads of all my midnight appointments,
skin pulled taut between my hands, how I lap up
everything your heart has to say in its simple syntax.
This is living: to take you without enormous effort,
like typing a heart smiley in lieu of using that dread word
fang. This is not an attack, my bending over you,
mother of my suffocation nightmares, homeothermic swamp.
I wipe up the access with a handkerchief, stuff it in my blazer.
It’s a gloomy affair, this filling of my coffin-sized hole
will never bring satiety. My desires coagulate near your wounds
plaster for that red fresco where my shadow lost its way.

I found this quite a bit wordier than I was used to dealing with — which was more my fault than Dana’s — so when we finally returned to the thing a couple weeks later, I left all the heavy lifting up to her. After half an hour or so, she came up with the following edit (ignore her account of events at the link):

Hemotaphagy

I
My mouth parts to reveal velvet lining
redolent of formaldehyde.

II
I feel for your common carotid,
its point of bifurcation,
the wye-shaped crossroads
of all my midnight appointments.

III
Skin taut between my hands,
I lap up your heart’s simple syntax.

IV
To take you without enormous effort,
without using that dread word “fang.”

V
Mother of my suffocation nightmares,
homeothermic swamp.
I wipe up the excess with a handkerchief.

VI
This gloomy affair. This filling of my coffin-
sized hole will never bring satiety.

VII
My desires coagulate near your wounds,
plaster for that red fresco
where my shadow lost its way.

Being the contrary sort, I tried to see if I could make a poem using the words that didn’t appear in her edit. I had to add a bunch more words. I’m not sure the result could still be considered a collaboration. But it was fun!

Now You See It

We walk arm in arm
on the sunset strip,
red at night like a plush coffin lid,
like a cartoon heart used as a glyph
to stand in for that dread word
as I bend over you in my blazer
& count to ten.
The only hunger that matters now
can hide in a silk handkerchief
& reappear in a deck of cards:
club, diamond, spade.
You learn to dig.

In one final transmogrification, I ran the text of our rough draft through Wordle to produce the image at the top of this post, symbolically releasing the words and ideas we’d been playing with. That’s kind of what “mutating the signature” is all about, I think.

Festival of the Trees 29: Bring out your dead

Sky Lake WMA, Mississippi

Welcome to the Halloween/Samhain/Day of the Dead edition of the Festival of the Trees! No forest is more full of the dead — or more teeming with life — than an old-growth forest, and what could be spookier than a swamp? So for illustrations this time I’m using some photos my brother Mark Bonta took in his adopted state of Mississippi last spring, on a visit to the Sky Lake Wildlife Management Area. It’s not a so-called virgin or primary forest, since some trees were cut there a century ago, but the biggest and oldest trees were left because they were hollow. Mark says the preserve contains hundreds of giant baldcypress trees with a typical diameter at breast height of 10 feet, as well as the state — and possibly national — champion baldcypress, which is considerably larger than the “average” specimens in these pictures. The best time to visit is in fall, when woods are no longer flooded. Continue reading “Festival of the Trees 29: Bring out your dead”

Morning Porch, the book?

UPDATE (10/20): You can now subscribe to the Morning Porch via email.

The Morning Porch will be one year old on November 5, and I’m starting to think about what I want to do, if anything, with my first year’s worth of jottings. I think I’ll probably keep up the discipline — it’s a good exercise and a great way to wake up — though it’s possible I could change the form or focus a little. It’s also a fun way to participate in the Twitterverse and defy its reputation as a repository for disposable ephemera.

Though I’ve always thought of my Morning Porch tweets as prose, many readers have taken them for poetry, so I decided to see whether they might pass muster as short poems. The following were selected using the Random link, and all I’ve done is rearrange them, swap in ampersands, and change the punctuation here and there. What do you think? Do they work better as prose or as poems? (I’ve linked the dates to the original posts in case anyone wants to compare.) If I were to enlist the help of one or more editors and publish a book of these, would you buy a copy? If the answer is “probably not,” don’t be shy. I am supremely lazy and would be happy for an excuse not to bother.

Feel free to use the Contact form or leave anonymous comments if you prefer.

***

December 6, 2007

Clear and very cold.
I hear squirrel teeth
on walnut shell.
The Carolina wren’s happiness motor
turns over once, twice, then putts to life.

*

July 24, 2008

Fast-moving showers; the light
changes from minute to minute.
A distant rumble
turns out to be an A-10 Thunderbolt II.
Our modems are safe.

*

April 7, 2008

Gray sky, the smell of rain.
Two insomniac screech owls
exchange trills.
The low-frequency thumps of a grouse.
An enormous silence.

*

August 26, 2008

The hollow sound of claws
on loose bark:
another furious squirrel chase,
this time in the dead elm.
The chaser pauses to lick its genitals.

*

January 11, 2008

Hard rain. Under a monochrome cloud ceiling,
the colors are intense:
laurel green,
tree-trunk sable,
dried-grass yellow,
leaf-litter rust.

*

October 12, 2008

BAM. BAM. BAM.
The red crest of a pileated woodpecker
flashes into view from
the dead side of a maple, sunrise
orange on the hill behind.

*

January 2, 2008

I sweep snow off my chair,
then look up to see the crescent moon
appearing & disappearing behind the clouds.
Trees creaking in the dark.

*

December 23, 2007

Thick fog at dawn,
gray against the snow.
Slate-colored juncos call back & forth:
Where are you?
A wind comes up.

*

September 15, 2008

Where daffodils bloomed in April,
goldenrod sways—
a more worldly yellow.
The distant hurricane
makes a roosting monarch flap its wings.

*

April 3, 2008

The feral cat is back from
wherever it goes for the winter.
It crouches on a fallen limb,
eyes fixed on the weeds,
gathered for the spring.

Disadvantaged

bum with a sign: 'spare me'This morning, my uncle described his first encounter with African-Americans, which happened when he was drafted into the Army in the late 1950s. They were nice enough, he said, but they cursed constantly, using the foulest language he’d ever heard. And every month when they got their paychecks, they went and gambled for hours until one of them had won all the money from everyone else, forcing them to go borrow ten dollars to live on for the next month. “I found that incomprehensible,” my uncle said. “It was as if they had nothing to live for.”

Today is Blog Action Day, and this year’s theme is poverty. The coordinating site suggests ways that participating bloggers of various types might post on-topic, and for personal bloggers like myself, the suggestion is, “document a personal activity of the blogger that is helping the disadvantaged.” Hmm. Well, I’m not doing anything to help alleviate poverty per se, but I would like to think that the range of materials I publish online, here and elsewhere, for free to anyone with internet access — which is, in the United States at least, anyone who can get to a public library — constitutes “helping the disadvantaged” as much as anything might. I don’t make any great claims for my own work, but I think a lot of the stuff I’m helping to put online at qarrtsiluni and Postal Poetry is first-rate. Like Andrew Carnegie, whose philanthropy was so instrumental in the spread of free public libraries, I tend to believe that “It is the mind that makes the body rich.” But unlike Carnegie, I don’t exactly speak from a position of privilege.

I’ve never been a gambler, but I do cuss a lot and at one time in my life had very little to live for apart from drinking and carousing. I spent most of my paycheck on booze, and switched apartments frequently to avoid paying rent. After a while, I found a basement to store my stuff in for free and began crashing on people’s couches. It was actually a fairly satisfying existence, though I think if I’d done it for more than a couple of years, it would’ve gotten old. But simplifying one’s needs and learning to satisfy them in a way that doesn’t directly engage complex thought processes is a sure route to something that looks at least superficially like contentment. A couple years later, when I read Down and Out in Paris and London, I recognized the lifestyle in George Orwell’s description:

I had no sensation of poverty, for even after paying my rent and setting aside enough for tobacco and journeys and my food on Sundays, I still had four francs a day for drinks, and four francs was wealth. There was — it is hard to express it — a sort of heavy contentment, the contentment a well-fed beast might feel, in a life which had become so simple. For nothing could be simpler than the life of a PLONGEUR. He lives in a rhythm between work and sleep, without time to think, hardly conscious of the exterior world; his Paris has shrunk to the hotel, the Metro, a few BISTROS and his bed. If he goes afield, it is only a few streets away, on a trip with some servant-girl who sits on his knee swallowing oysters and beer. On his free day he lies in bed till noon, puts on a clean shirt, throws dice for drinks, and after lunch goes back to bed again. Nothing is quite real to him but the BOULOT, drinks and sleep; and of these sleep is the most important.

Then there is the kind of poverty I enjoy now, where the deprivations, still self-imposed (given that I do have a college degree and a few marketable skills), are mainly social (no wife or girlfriend, no kids, no employment, no car and thus no easy way to go do things with other people). I have simply made a decision to try and be content with very little, with the critical difference that now I’m living a life of the mind. I guess I’ve been pretty successful in this regard — successful enough to feel rather sorry for those with other life goals, and to suspect that most people might be happier if only they were more like me. Which is complete bullshit, of course.

Poverty used to be considered an unmitigated virtue. Up until the 16th century, begging was treated as a valid vocation: beggars were considered closer to the heart of reality, and were also valued as objects of charity, helping the less virtuous bribe their way into God’s good graces. I believe this is still the attitude in much of India. For some reason, though, attitudes changed rather suddenly in early modern Europe, when begging was outlawed in city after city and beggars were driven out. Poverty now became a problem to be solved through wage-labor. Through sheer coincidence, this was right about the time that the enclosure movement began, creating vast numbers of hungry peasants through the privitization of common lands: disadvantagement was an active, intentional process. And needless to say the deliberate destruction of traditional, subsistence economies was essential to the creation of impoverished, utterly dependent laborers in the global South, as well. The first great lie internalized by the conquered and the enslaved was that they were poor, ignorant, and without a valid culture of their own.

To what extent do any of us choose our destiny? The typical American answer is, “to a very great extent” — we are nothing if not positive thinkers. My favorable quotation of Andrew Carnegie above exposes me as a typical American, too, I guess. But that means that if you’re poor (or sick, or overweight), it must be your own fault. Even a lot of poor people believe this, to their extreme detriment, along with some admixture of blame for a scapegoat (black people for poor whites, white racists for poor blacks). These are the second and third great lies.

Can poverty ever be eliminated without first confronting these poisonous assumptions head-on, I wonder? I don’t have any answers — that’s why I’m not a political blogger. I am by no means certain I’m even asking the right questions. If, as our politricksters are continually suggesting, more jobs are the answer to all social ills, what about that mind-numbing spiritual poverty that Orwell wrote about? This I suppose is where art and poetry could enter the mix, by making people feel intellectually empowered and creatively enriched. But should poverty really be the target of our social uplift efforts in the first place, given that our economic system is based on a gambler’s worldview in which there can ever only be a few winners and everyone else must lose?

Perhaps you think socialism is the answer. But if we impoverish the land past any reasonable hope of recovery — witness the almost total loss of topsoil in Haiti, for example — what then? What happens when the global population so far exceeds the ecological carrying capacity that no redistribution of wealth can buy us a new earth?

Festival of the Trees returns to Via Negativa

Foggy Woods

The Festival of the Trees will return to Via Negativa on November 1 — the 29th edition. The last time I hosted it was in August 2007, and I also hosted the very first edition on July 1, 2006.

Any and all tree-related blog posts or photo galleries are welcome (which doesn’t necessarily mean I’ll include everything that comes in) and you needn’t be the author to submit a link. Multiple submissions are fine, too, and if you have any doubt about whether something qualifies, just go ahead and send it. Submit the links via my Contact page, or by email to bontasaurus [at] yahoo [dot] com, and please put either “Festival of the Trees” or “FOTT” in the subject line. The deadline is October 29.

In the meantime, please check out the current edition at Arboreality — one of our best yet, I think.

13 Tips for Surviving the Apocalypse

The Bloggers Association of America (BAA) has notified me that I am at risk of losing my blogging license if I don’t start publishing more random lists of links masquerading as bad advice.

Oh, wait, make that 14:

Clientology

Our clients

We’ve launched our first monthly contest at Postal Poetry — a sort of high-brow version of that blog staple, the caption contest, but with a choice of ten stunning images to pair your poems with. Rampant nudity is involved.

By the way, for a naked, unpoemed version of the above photo, see Visual Soma.