Harím

I saw a captioned photo
of a beach somewhere in Italy
that’s off-limits to men,
where women can swim & sunbathe
free from cat-calls & ogling.
That night I dreamt about
an endangered sea turtle
fresh from burying her eggs
who rose up from the sand
in the shape of a woman
& I thought, So that’s what they do
when we’re not around.

Ballad of the Army Carts

by Du Fu (Tu Fu), ca. 750

The carts squeak and rattle,
The horses neigh and neigh.
Clouds of dust hide the bridge across the River Wei.
Bows and arrows at their waists, the conscripts file out;
Mothers, fathers, wives and children rush onto the highway.
Hands clutch, boots tromp, bare feet stand still.
The wailing rises straight to heaven — no need to pray.

I walk alongside the column, ask what’s going on.
A soldier says simply: “They call up more every day.

“Some of us were sent north to the Yellow River at age fifteen,
And now at forty we’re heading off to the garrisons in the west.
On our first tour, the village headman had to tie our bandannas for us.
When we came back, our hair was white, but still there’s more unrest.
The frontier garrisons run with blood, enough to fill an ocean,
But the Martial Emperor’s territorial ambitions have yet to crest.
In the hundred districts east of the mountains, throughout the land of Han,
There must be ten thousand villages that brambles now infest.
Even if wives are strong enough to handle a hoe and plow,
The crops grow every which way, the fields are all a mess.
It’s hardest for the Shanxi men, with their reputations as fighters:
They’re rounded up like dogs or chickens, every male impressed.

“But sir, though it’s good of you to ask,
Complaining isn’t part of the soldier’s task.
We can only shake our heads. Take this winter:
The Shanxi troops were never sent home.
The District Officers are demanding the land tax,
But where will it come from? You can’t get blood from a stone!
I honestly think it’s bad luck to bear a son now,
It’s better to have a daughter: at least she can marry
And live with the neighbors next door.
But a son will end up lying on some distant prairie.

“Have you ever been to the Blue Sea — Kokonor?
From ancient times, the bleached bones lie thick along its shore.
The new ghosts moan and mutter,
The older ghosts cry:
Thin chirps and twitters, under a gray and dripping sky.”
__________

I am indebted to David Hawkes’ detailed exegesis in A Little Primer of Tu Fu (Oxford: Clarendon, 1967) — highly recommended for anyone with more than a smidgen of Chinese. I have attempted to convey something of the rhythm and end-rhymes of the original, so the translation is a little freer than it might otherwise have been.

In his commentary, Hawkes notes that the poem was probably written to protest “a new drafting of reservists and ‘volunteers’ to fight against the Tibetans. … The old system of militia service which took the peasants away for regular periods of unpaid National Service was superseded a generation before the date of the poem by the recruitment of paid regulars who were kept on reserve and called out intermittently as occasion arose. Unfortunately the new system did not produce an adequate intake of recruits, and press-gang methods were frequently resorted to in order to raise armies for unpopular campaigns.”

Fighting South of the Wall

by Li Bai (Li Po), ca. 746

Last year we fought at the source of the Sanggan River;
This year in Xinjiang, on the road to Conghe.
We pasture our horses on the snowy slopes of Tian Shan,
And rinse our weapons in the Caspian Sea.
The front stretches for ten thousand miles;
Our troops are all worn out, too old to fight.
For the Huns, fighting and slaughter take the place of plowing;
From ancient times, their fields of yellow sand have grown nothing but bones.
The Qin Emperor built the Great Wall to keep them at bay,
And a thousand years later, we’re still tending the beacons.
Again and again the beacon fires are lit,
And war rages on without end.
Men die fighting hand-to-hand;
The screams of fallen horses reach to the heavens.
Kites and vultures gorge on human entrails, carry them off,
And leave them hanging from withered mulberry branches.
Officers and soldiers bloody the grass and bushes;
What good are the generals’ strategies now?
They must know that war is a terrible tool.
The true sage never makes use of it.
__________

Translated with the help of a dictionary. I’m reasonably certain I got the gist of it, though.

Connected

Inside the body
of sleep, each thinking
we are alone & surrounded
by wholly private visions,
failing to recognize
the animal whose footfalls
we hear in place of our own,
touching what we take
for a wall where there are only
other fingers, other skins,
& waking to the smell of heat
on a cool morning in early
summer: I’ve turned into
a tourist in my own life.
I carry a camera from room
to room, alert for any irruption
of significance into the hum-
drumming of home appliances.
Someday, even my breathing
will seem worthy of note.

On Deciding Not to Travel

palmist 2

From the window of the fourth-
floor walk-up, the umbrellas
slid past each other with
assembly-line perfection,
black & blue mingling with
the occasional red, yellow,
lime-green. The street shone
like a mirror that gives
nothing back. The hiss of tires.
This short loop keeps playing
in my head as I watch
the cloud lift & a white moth,
caught out after daybreak,
yawing & veering against
a backdrop of dripping trees.
This summer won’t come again.
Why spend it en route
to somewhere else? I pluck
a snail from the deep grass
& place it on my palm.
It makes a slow circuit
on its single foot.

[Poetry Thursday – dead link]

Tomorrow is the deadline to submit material for the Greatest Blog Hits issue at qarrtsiluni. All genres are welcome and there’s no length limit, but the posts must have appeared at least one year ago — see here for additional details.

Painting the river

bucket in the river

The river this morning is a dark & glistening thing. It reminds me of the tar I spread onto a flat roof two days ago: so glossy, smoothing only by a little the pocked & pimpled surface underneath. I spread the tar with an old broom for a brush, sweeping back & forth to work it into the cracks. It was abstract expressionism at its best.

Little Juniata meets I-99

The two spans of the interstate highway cross the river without getting their feet wet. The riverbank beneath them is a desert, littered with empty beer bottles & cans of spraypaint, & filled with the muffled echoes of tires banging over the seams in the roadbed & the fluttering of pigeons in the strutwork.

end of capitalism

A fresh batch of graffiti on the concrete piers touts anarchy, marijuana, & hallucinogenic mushrooms. It’s an attractive thought, to get stoned & stare into the water until the rumble of traffic turns into another river, & those distant abstractions the government & capitalism seem ready to give way & crumble into the current.

Selph

But the only graffiti artist with any skill appears to be working on his or her self-branding, so to speak: the tag Selph appears in half a dozen places, each in a different style. I picture a sylph-like creature, a pale goth who flits from one stoned friend to another, wrapping herself in the glossy wings of the night.
__________

This week’s Poetry Thursday prompt was “rivers” (see the other responses here). Since I had to go into town this morning anyway, I took my camera along. I’m not sure I ended up with a true poem, but what the hell — it was a good prompt.

In Memoriam

Graves of the Unknown Dead
Graves of the Unknown Dead, National Cemetery, Chattanooga, TN
William Henry Jackson, ca. 1900

such a noble sacrifice the forest made
in its battle with the saw
it deserves no less than a full plantation of stumps

erasers white with chalk
erected in loving forgetfulness
of the blackboard

a stone tossed into still water
always lands in the center of a target
of spreading years

how well we know them then
these unknown dead

Melody

wood thrush

This week’s challenge at Poetry Thursday was to write a dialogue poem. For some reason I’ve been thinking about an incident from 11 years ago, the rape and brutal murder of an 11-year-old girl by a 15-year-old boy she’d been going on hikes with, including up our hollow. (See my mother’s book Applachian Summer for the whole story.) Unpleasant to think about, let alone to try and write about, but I think violence against girls and women is real and pervasive, and we shouldn’t let it pass in silence simply because of its connection with so much that remains unspeakable.

*

Gram was starting a batch of cookies
when I went out
I’m just going up the street I told her
I didn’t say anything about our secret places

    you told you told
    your innocent act didn’t fool me
    we could’ve gone exploring forever
    if you hadn’t told

I wish I’d waited
we had all summer
& I love to lick the batter off the spoon
though she always says raw eggs aren’t safe

    the loathing on your face when I showed you
    what you did to me
    put it aWAY you said
    AWAY AWAY

I hear them calling & the name
reminds me of something
maybe that fish that died of loneliness when I was five
I used to press my ear against the tank

    sugar & spice for my frogs & snails
    we had a deal
    I showed you old farm dumps a hole in the fence
    one rusty shovel to turn an acre of need

how strange this sudden softness
into which I’ve slipped
fog so thick I can’t make out the trees
Gram’s cookies must be getting cold

    I might’ve stopped short of the shovel
    if you hadn’t gone crying to Jesus
    ignoring me who had given you
    all I had

Melody I hear them call
Melody   Melody
as if the birds weren’t already singing
as if it weren’t enough

Melody

Take-Out

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete.
–Leonard Koren

At the bottom of the pasture,
a house trailer with one of its
long walls neatly removed
like the lid on a Japanese bento,
so anyone can take in its contents
with a single glance, flashing by
on the highway, sunroof down,
radio blaring, & look —
there’s a wee kitchen,
a living room with sagging sofa-bed,
two bedrooms & a walk-in closet
gaping empty: neither clothes
nor the bodies that slipped in
& out of them, white as rice,
growing round on next to nothing
& never feeling full.

I and the Bird 49: the Wordchaser

shithead

Welcome to the 49th edition of I and the Bird, the carnival for bloggers who love birds. I’m calling this edition — with a nod to my fellow Pennsylvanian Rob Fergus — the Wordchaser. I’m less of a birder than a bird appreciator (for street cred, I can only point to my vice-presidency in the local Audubon chapter), but I chase down poems the way a life-lister chases birds.

Past editions of I and the Bird have showcased the host’s own creativity, with sometimes extraordinary results. But this time I want to turn it around and focus on the linguistic creativity of the contributors themselves. Poems, like birds, are everywhere; it’s just a matter of training ourselves to recognize them — a metaphor here, an alliterative passage there, and something lovely dark and deep lurking just beyond. And with a little bit of editing, the English language naturally resolves into a rough iambic pentameter…

gnatcatcher on scarlet oak

Each line in the “found poem” below is a link to the post I lifted it from. I’ve altered nothing but the punctuation, and I’ve included an audio version for those who may have trouble hearing the poetry at first. I’m hoping the excerpts will read like riddles, enticing you to click through and discover their original contexts.

Lots of good things happen unbidden. Sure they do:

A Golden-winged singing in the far field;

A chance encounter with a small flock of Cockatoos,

Little cotton balls above their legs;

Fallouts of migrants at coastal “fire-escapes;”

Antshrikes, antwrens and antbirds churring and flitting.

A Bobolink flew up out of the field and circled me,

The super nova of the forest, the gaudy Prothonotary.

I knew instantly what it was! There was no mistaking

An immature Bald Eagle in January with a broken wing.

They make the most amazing murbling noises

(Audubon would have said something like that).

The afternoon lull had set in, but we pressed on.

We spotted the lapwings again, out in the glasswort–

How high above the water the white flashes!

Who knows how they knew they were there,

Bird with bird, birds with the very air.

Red Knot, that salmon sensation, doesn’t persist;

I can’t pry them from their hidden nest.

Tomorrow perhaps. Perhaps the day after,

I will spot snipe both close and in good light,

Hundreds of ruddy turnstones, a least sandpiper,

Dendroica cerulea by sound as well as sight.

In their minds, they’re following the food,

Catching arthropods as they attempt to flee

In dewy grass, or ground on the sole of my boot.

I wanted to see the Gray-crowned Yellowthroat;

How it arrived on the window sill I know not.

It was dusk by that time and no hope of a decent photo.

The bird stretches its wings and simply lets go.

hunger bird

Sources: Julie Zickefoose, Thomasburg Walks, Trevor’s Birding, Living the Scientific Life, Gulf Coast Bird Observatory, Drawing the Motmot, The Birdchaser, Bell Tower Birding, Richard Guthrie, Bird Treatment and Learning Center, The Egret’s Nest, Birds Etcetera, The Hawk Owl’s Nest, Ben Cruachan Blog, The Nemesis Bird, The Flatbush Gardener, Fragments from Floyd, 10,000 Birds, Marcia Bonta, The House and other Arctic musings, lovely dark and deep, A DC Birding Blog, Cup O’ Books, Gavan Central, Tick Magnet, Antshrike’s Bird Blog, Bird Ecology Study Group, Wrenaissance Reflections, Dzonoqua’s Whistle.

The next edition of I and the Bird will appear in two weeks at A Blog Around the Clock. Send submissions to Bora: Coturnix AT gmail DOT com.