Who was that woman who painted her cheeks with flowers, her hair in disarray?
She walked unabashed in the plaza, passed shopkeepers who hid behind their wares.
We never knew where she slept at night, how she spent the other hours of the day.
She’d disappear during the monsoon months like mist dissolving into grey;
then when the weather turned warmer, we’d hear her shrill cries pierce the air.
She smeared flowers on her cheeks or wound them through her hair in disarray.
She had a name I can’t recall; I only know it reeked of solitude. Fey,
unabashed, her tattered skirts swept plaza stones with eerie flair—
Who knew where she slept at night, how she spent the other hours of the day?
Who didn’t tremble a little at her approach? And yet her eyes— steely, grey,
sharper than the chiseled moon— it seemed could size you up, intuiting your despair.
They say she knew the future: her painted cheek, a screen for our own disarray.
I thought I knew who she once was: an artist’s model, an ingenue, stylish, blasé—
There was this talk: of course a lover, a jilting. (What we don’t know, we embroider.)
We never saw where she slept at night, how she fed the other hours of the day.
She’s her own fable, fantastic narrative: lucid in survival, she laced
hibiscus in her hair, placed unashamed bid for what was due: her share.
Gypsy with flowered cheeks, with tresses in ravaged disarray—
Love’s still our common dream, imperfect to this day.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- The season turns again
- We woke and the world was colder,
- I wanted the taste of bitter greens
- Sibilant Ghazal
- Life Skills
- Dear Naga Buddha,
- Notes to/on the plagiarist
- The Empress of Malcolm Square
- 4 Etchings
- In One and the Same Moment
- Wayang Kulit
- Exit Interview (excerpt)
- And ever
- Canción sin fin
- Pavor Nocturnus
- If only the wind now dresses the trees
- Elegy, even after 22 years
- The years teach much that the days never know*
- Thin fog, as in the corners of a tintype—