Letter to Audrey Hepburn

So many yards of cloth:
good cotton, polyester, rayon;
prim edge of childhood’s
Peter Pan collars, chaste tents
of A-line skirts that crept
up and up as silhouettes tightened
and searched for the key
in any keyhole neckline,
the getaway boat in any bateau.
I was no exception: I could not
bind a blanket stitch,
would not feather a herringbone.
What chance did I have without
the curved swan of your neck,
my feet shod but shoddy
in ballerinas, un-dainty from birth,
limbs decorated with scars or scabs,
stitched together with dark
needle and thread? And so I flew
the nest right after breakfast,
kissed the first tear-shaped bar
of light from the chandelier,
hurried to find myself
a fit bustle. I do, I do,
I do regret more than a few
things: but guess what, finally
I’m old enough to admit I don’t
rue it all! —though you hit it
right on the head when you said
those things about the sky
being vague and empty— Marriage
(whatever that means), or what you give
yourself to, can be like that: just a country
where the thunder goes and things disappear

sometimes, but not forever.

 

In response to an entry from the Morning Porch.

Series Navigation← Elegy, with lines from e.e. cummingsDisintegrate →

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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