Tracks

You say you do not remember
the things we used to do
together— We counted the hundred
and some steps that led to the cathedral,
holding our breath from near vertigo
on descent. The boys that sold
lottery tickets loitered along the edge
of the overlook, tempting fate
at the same time that they sold dreams
cheap, if by the dozen. I was ashamed
one summer to wear the shoes
made to correct the uncanny
curvature of my back. And so I believed
you then when you said I should find
the filament in the center
of the spider’s web, roll it
between my thumb and forefinger,
swallow it like a pill. We circled
the neighborhood streets like strays
intent on finding the map to places
where wildness was still spoken,
a language not yet extinct.

 

In response to an entry from the Morning Porch.

Series Navigation← What could we knowAblution →

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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