~ after Armando Valero, "Flower Girl"
Between the wind and the tree
is the sound
of a train bisecting the day.
Between the eye
and the meadow is the shape
of the bend made in each
finger of grass. It is inaccurate
to speak of ships
passing each other in the night:
we are always
tearing ourselves in half while the body held in place
is always turning toward the station
or the town or looking for rest
rooms, the ticket counter,
the 24-hour drugstore, a clean bed
in the rundown motel.
Between dreaming and rousing, a tingle
in the blood before it wakes;
that relief from being returned.
Even the lily we name star-
gazer films over with orange dust
in the crimson of its throat,
pulling away from the edges bandaged white.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.