- after Odilon Redon, "The Black Sun" (c. 1900) Blood too thin, too loose as a child, you stand in the heat and blanch then pale. A garland of veins flaps inside its bell jar, spurting blossoms with each faint tap. Rapture is not what you think it is— not the quick explosion or pumping in air; not the deer and its trembling flanks before the headlights' glare. Beware the dark gleam between trees and the diaphragm of night. Through the day, pilea hold parasols out to catch any dappled light. You remember being told: the only way to look at anything that burns itself so deeply is to learn how to let its smaller constellations pass lightly through your hands.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is Co-Winner of the 2019 Crab Orchard Open Competition in Poetry for her manuscript Maps for Migrants and Ghosts, forthcoming from Southern Illinois University Press in fall 2020. She is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by former US Poet Laureate Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.