Let us lower our voices, said the woman next to me at the bus station; but I know what you are speaking of. Hammock strings have a way of recoiling. Is that when we can no longer lie in it? Then we might go indoors to make the meal, call the children in, unfold the blankets against the night’s chill. Even so there will always be that one place you’ll want to keep setting at the table, the room that will become a shrine. You’ll never catalogue the growing things on that stretch of roadway, how many pieces of glass were rendered from the kuatro kantos bottle; what restraints might multiply in the hands of another. I am sorry too. Resemblance does not often matter. Money? Sex? It could have been a simple thing, the chrome of a radio dial sticking out of a jacket pocket. I listened this morning to stories of refugees trying to cross the Sahara; a woman’s sobs woke me from sleep. From over the ridge, a patrolman’s amplified voice, his words unintelligible. There are places in the world where a blue jay does his best impression of a red-tailed hawk, and then departs. Something like wings scissors in the sunlight. Oh my poor poor sweetheart, moans the woman in the desert, over and over again; I could not even bury him.
—Luisa A. Igloria
In response to today’s Morning Porch entry.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.