Ang mga sinulid ng ulan, tinatahi ang
pira-pirasong damit ng agam-agam.
(Threads of rain are stitching
uncertainty’s tattered garments.)
And at dusk, the filigreed trees, the light that turns everything briefly to gold; and in the bright-dark shimmer, the houses and trees; lamp posts, the cobbled walk edging the park, oil-glazed puddles of water like wax melted down in votives. Oh such honey trapped in a clear glass bell: and like a clapper, the bee’s bright wing to beat and beat against it. You know I would follow the thread from its tangled beginnings, wind it around and around my wrist. When darkness falls, I know I’m not the only one here. Rain fine as mist, faint as silver. Fleeter bodies than mine, hidden amid the trees. My tongue-tied ones, your heartbeats flush the air.
In response to an entry from the Morning Porch.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.