Sin cere: Where did I read about this mark
potters stamped on the bottoms of earthenware, of drying
crockery? Without peer, meaning not a copy,
original; baked terra cotta, crackled brown, bread-like
surface of imperfections. Around the courtyard, in the day’s
last glaze of heat, curling vines gather. Fronds of fern
spiral back toward themselves at their tips. I tuck the ends
of my worries like that sometimes: like hair behind my ears.
What I would give for such a sign, to tell me
of the genuine, or promise what will not change again—
But for now, only something in the name of the lilac
to suggest its scent; something in the aspect of the moon.
In response to an entry from the Morning Porch.
OTHER POSTS IN THE SERIES
- Ciphers
- Preces
- Rest Stop
- Presentiment
- Ghazal, Between the Lines
- Ghazal, Beaded with Rain
- Night Heron, Ascending
- Derecho Ghazal
- Mid-year Ghazal
- Punctuation
- Mortal Ghazal
- Landscape, with Chinese Lanterns
- After
- Charmed Life
- Undone
- Index
- What We’ll Remember
- Amarillo
- Ghost of a pulse in the throat
- Throttle Ghazal
- Visitations
- Of Nectar
- Preliminaries
- To/For
- Capriccio
- Getting There
- Four-Way Stop
- Vortex
- Flood Alphabet
- Tokens
- The hummingbird isn’t the only bird
- A hawk circles over the ridge
- Rather than the tightening fist,
- Reversed Alphabet of Rain
- Cocoon
- Manifest
- (poem temporarily hidden by author)
- Intertext
- Letter, to Order
- Telenovela
- Retrospective
- Breve
- Pumapatak*
- There’s a bird that comes
- Spore
- September 1972
- Fire Drill