I didn't have to leave a country
with one suitcase haphazardly
stuffed with pictures or deeds of sale.
I didn't have to cross a bridge
whose ramparts were burning at one end.
I never jumped trains rolling through
prairie grass to see sunrise on another
coast. But whose fathers did we trail
across the sea like scrolls of smoke?
Whose child was finally born
in the shadow of a great cathedral?
In the year of curfews, we hung
dark curtains across windows and learned
not to answer the door after a certain
hour; and yet we hid women passing through
to safety, bundling their babies
in soft brown blankets. Pigeons
swooped down on stones strewn with bits
of bread; then their wings blurred a dirty
blue as they took off again.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.