Listen closely. Small halos dropping out of the leaves, little tambourine
sounds. A catbird mimics the wood thrush. Follow it into the thicket,
follow it into the vines. Or sing to it, to make it come.
Ghost of a call, ghost of an answer. A music teacher
told me once, Phrasing is all. But also I love
what falters and stops, starts again. Trying, always trying.
Water so green, it’s audible. It wants so much, because it can.
At night, lamps are lit at the kitchen window and the dark
spools behind like a trail for moths. Here they come,
drunk with the light and beating their lovely wings.
In response to an entry from the Morning Porch.
Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.